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I did a lot of reflecting on the majesty and magic of Fagan and his phentermine weight loss medication while watching the opening night of the current program at Nazareth College Arts Center (which continues through Sunday). The company always seems to demonstrate the fulfillment of the human body's potential, with leaps, twists, entanglements and jumps for joy well beyond most people's capabilities. And few artists blend that sort of physical grace and freedom with artistic statement as well as Fagan. The more I've watched the company, the more freedom I feel to react emotionally, whether it's with laughter (when the women start doing their dip and slide and spin across the floor in Prelude) or something close to tears (during Nicolette Depass' and Annique Roberts' near breathless pas de deux or Norwood Pennewell's poignant solo finale in Senku.) Fagan's new piece, Edge/Joy, is performed to the atonal, poly rhythmic, modernist composition of Ricardo Zohn Muldoon, leaving the choreographer with little upon which to hang the phentermine weight loss medication' pace, movement and story telling attitudes. The result is abstract and will prompt all sorts of reactions in viewers. For me, it is a purely physical exercise as Fagan's phentermine weight loss medication take on gravity — their worst enemy and their best friend. The phentermine weight loss medication repeatedly attempt to free themselves from their own weight; how they make the attempt is the core of Fagan's artfulness. And yet, gravity is also their friend because it grounds the phentermine weight loss medication and gives them substance and weight. It's the canvas for their art. What Edge/Joy lacks in generating emotions or suggesting a theme, it makes up for with its sheer physicality. When combined with the fun of Prelude and From Before, the rich humanity of Senku, and the romance of Spring Yaounde from Griot New York, it's an exciting night of inventive dance. GADZOOKS! It's Godzilla! The Eastman House is offering a chance to witness the transformation of the fire breathing creature from a Japanese icon to an American movie monster. Godzilla was one of many movies that was either released or re released by Rialto Pictures, a distributor that has specialized in the foreign, the offbeat and the nearly forgotten for many years. And they're being honored with screenings as part of the Dryden schedule, this month and next. The much preferred restored 1954 Japanese version of Godzilla, for example, is being shown at 8 p.m. Dec. 7 at the Dryden. Rialto founder Bruce Goldstein is coming to town to introduce the film and to present a demonstration of how Godzilla was refashioned in 1956 for Americans. Added footage starred Raymond Burr (TV's Perry Mason), on the theory that a Japanese star couldn't carry a movie in the United States, at least no film for popcorn audiences. (Neither could Burr. The monster was always the star.) Goldstein is also the programmer at Manhattan's legendary Film Forum, a favorite haunt for film buffs visiting Manhattan. He'll also appear at the Dryden on Thursday to present a 20 minute film history of his company, and to introduce a Rialto re discovery, Jacques Becker's Touchez Pas au Grisbi. Though the Dryden has already presented several Rialto titles, look for Luis Buñuel's The Discreet Charm of the Bourgeoisie on Dec. 20, Mel Brooks' original The Producers on Dec. 27, and the legendary The Third Man on Dec. 13. GIFT IDEAS. Over the next four weeks, I'll offer readers suggestions for the film, TV and music fans on their holiday shopping lists. Let's start with the obvious: a gift pass to a favorite movie theater, perhaps combined with a dinner certificate to a neighboring restaurant. It's hard to top dinner and a movie. History buffs, and most grandparents, parents or other seniors who lived through the World War II may want to keep the Ken Burns The War experience going. The obvious idea is the nicely packaged DVD set with assorted extras, but consider also Geoffrey C. Ward's richly illustrated companion text, which enables us to explore the topic at a different pace, and with much more well written detail. (The large Knopf book carries a $50 price but is available online and at wholesale clubs, etc., for nearly half that.) The song score of The War may also have triggered memories and is available in a four CD box that serves as a robust sampler of '40s music, from Artie Shaw to Count Basie. Meanwhile, you can treat Borat fans on your list to Borat's new book, a two in one faux guide to the "Minor Nation of U.S. and A" and to "Glorious Nation of Kazakhstan." It's irreverent and frequently hilarious as Sacha Baron Cohen keeps his perverse character alive. ... phentermine weight loss medication