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Reading literary phentermine sale uk is generally associated with the study of literature in formal settings. It is definitely a challenge for a lit crit work to attract the sort of readers who are not students or practitioners of literature in universities or colleges. So, it is no mean feat for Dr Charles Briffa to attempt to attract a different sort of reader to his study on Mario Azzopardi’s poetry and other cultural activity. In Travelling Between Shadows: Social Comedy and Narrative in Mario Azzopardi, (Allied Publishers, pp. 165) Briffa’s aims are manifold: he elucidates, for instance, a writer’s creative output popularly perceived to be “difficult” while concurrently providing an imaginative reading of Azzopardi’s new works published in this study. There was a time when shock tactics formed an intrinsic part of Azzopardi’s artistic arsenal, but the poet abandoned this strategy a long way back. In doing away with misconceptions fuelled by a facile reading of Azzopardi’s poetry, Briffa treads on thin ice. He risks going over familiar arguments, but is saved by his intention of introducing a new array of readers, both local and foreign, to Azzopardi’s work. Briffa also fuses together the three strands of Azzopardi’s creative personality poetry, theatre and journalism. Some Anglo American critics have been very vocal in castigating critical interpretations of a postmodernist nature as intractable and turgid in style. It seems Briffa heeded this critical stance and his work incorporates bio phentermine sale uk, feminist and eco crit and Bakhtinian phentermine sale uk, which he applies to Azzopardi’s use of parody. Even though Briffa employs a style that is accessible, at times he still makes demands on his readers. His close analysis of Azzopardi’s lexical and syntactical fields call for focused attention. However, this is counterpointed by a pacey, journalistic style of writing, especially when the author delves into the artist’s biographical background, his theatre activity and journalistic work. The different, interwoven styles of writing are held together by the socio political context that gave rise to Azzopardi’s creativity. In this regard, Briffa applies Bakhtinian principles and offers a stimulating interpretation of Azzopardi’s Hamra u Kahla (Red and Blue), a parodic take on Dun Karm’s romantic eulogizing of the nation state. Briffa demonstrates that although journalistically Azzopardi has confronted Dun Karm’s adulation, in this poem he has no bones to pick with the national poet; rather he is disillusioned with the vindictive pettiness dominating local political life. Given that Azzopardi published his last volume of poetry well over 10 years ago, it is particularly appealing to discover new works in this study. These range from poems with a social subtext, to those of a deeply personal nature and works dealing with the existential enigma. Azzopardi the theatre animator is very much in evidence in recurrent motifs of unmasking or the assumption of false identities. A case in point is Carlo dei Baroni Morti, a narrative poem about an amateur actor who, on getting married, is forced to give up the theatre and morphs into a chain smoking bat. On the other hand, Reality Show targets media manipulation in cold, spine chilling terms, reaching an unexpected, violent climax. The plight of refugees and irregular migrants, the dramatic increase in natural disasters as a result of global warming, as well as all sorts of victims of abusive situations, ranging from child soldiers to people manipulated by power structures, have all featured in Azzopardi’s 13 year fortnightly opinion piece Kontrokurrent, to which Briffa refers quite frequently. In this volume, the reader is exposed to the interpretation of those same issues in poetic form. The poem L Alla tal Murtali (The God of Petards) was inspired by the annual blowing up of so called fireworks factories. Azzopardi has written repeatedly about the blasé attitude of local pyrotechnicians, who continually dice with death. Journalistically he has stated that these fatal accidents are totally preventable and has called for the introduction of internationally recognised safety measures. On a poetic plane, then, the accidents are given an added transcendental dimension and the poet is at odds with a capricious deity that continually demands sacrificial blood. Azzopardi’s artistic psyche is dominated by a number of thematic patterns, with the feminine being one of the most authoritative ones. While in his interpretation Charles Briffa discusses the main arguments of feminist phentermine sale uk, he also seeks to present the different female images evident in the artist’s work in a wider psycho social frame. Pertinent examples include icons from popular culture of the Sixties and, more recently, the refugee phenomenon, especially displaced women. Incidents in every woman’s life, from the young, virginal girl to the woman at mid life and the elderly woman, form a continuum that provokes aesthetic and political commentary. The particular has become universal, and the personal became political long ago as Il Moghza ta’ Regional Road (The Goat on Regional Road) testifies. In this poem Azzopardi envisages the last flock of goats going out to graze in smog ridden Regional Road, where the goat leading the flock gradually mutates into the female ancestors of Maltese women. However, at the end another transformation takes place when the Universal Woman of Pity is invoked. In his detailed reading of this important work, Briffa blends textual commentary with feminist and eco phentermine sale uk with the most acute perception. Briffa also devotes space to the gradual acceptance of a pornographic mentality in mainstream culture, where sexuality has long become commercialized and atomized. He contends that Azzopardi upholds human dignity and it is the constant degradation of all living creatures’ dignity which provokes his protest. Intrinsically bound to this stance is a spiritual quest beset by doubt, a sense of the futility of existence as humanity trudges on towards an unknown destination, and a complete lack of smugness. Such elements make the search all the more authentic and Briffa’s insights are compelling. ... phentermine sale uk